I chose to attend the Lucricia Martel talk as well as finish
watching The Other Side and I would like to split this week’s response between
both of them.
The Other Side is
an experimental documentary film my Bill Brown . The juxtaposition of images
follow the form of a structuralist film, with the camera being set-up in
different cities and places across the U.S border. Following Deleuze’s cinema
theory, one could say that the entire film is made out of perception-images
with the camera as the position of perception. The camera stands film in
different places across the border, and the images usually do not include any
people, but perspectives of cities, shadows, the desert and experiences. The
images are united through the voice-over by the film-maker himself who uses it
as a travelogue, a way to share his experience travelling across the border. The
camera almost has a different experience than the film-maker, people enter and
exit the audio-scape, stories are being shared. The camera stands alone in
space, invading landscapes, capturing moments in space and time, following the
traces that were left behind from the pilmigrage of immigration. It seems that
the juxtaposition of images and the soundscape are too independent pieces that
can work separately. One can only listen to the piece or look at the images or
both, there is an attempt to re-create his travel experience and share what he
discovered by travelling near the border.
One thing that one could say is common in Lucricia’s Martel work and Bill Brown’s
work is the importance of the soundscape. The Other Side would have never
worked without the unitary and deeply personal voiceover. Lucricia Martel
almost directs with her ear, first she creates the soundscape and the imagines
and sets up the images and movements inside the frame that will produce this
narrative. For her what is absent in the frame is just as important as what
appears. She uses sounds to trace the unseen and help the spectator put the
pieces together and construct their own assumptions and stories through her
images. Her films allow the viewer to
imagine, she focuses on leaving little traces that the viewer can use to
construct the narrative himself instead of giving the entire story in the film.
She puts reality into doupt and brings small everyday horror in the surface,
using images to think about the world around her. Her talk was very inspiring
because she uses her childhood memories and the tensions that developed in her
own family to draw ideas for her films through real human experiences.